Daily Archives: June 12, 2008

On caricatures and character


One could easily be tempted to ascribe common etymological roots to the words caricature and character. In fact their etymologies don’t connect but that does not stop us from associating the two concepts.

Characters Caricaturas (1743) by William Hogarth

Characters Caricaturas (1743) by William Hogarth

Yesterday, I stumbled upon an epigraph by Poe: “Ce grand malheur, de ne pouvoir être seul,” which translates to Such a great misfortune, not to be able to be alone. It is from Poe’s short story “The Man of the Crowd,” but Poe had quoted it before, in his earliest tale, “Metzengerstein.” Poe ascribes it to Jean de La Bruyère, who wrote the Caractères (Eng: The Characters of Jean de La Bruyère). Bruyère’s book is an “augmented” translation of Theophrastus‘s (371 – c. 287 BC) The Characters which contains thirty brief, vigorous and trenchant outlines of moral types, which form a valuable picture of the life of his time, and in fact of human nature in general. The genre of the “character sketch” is generally cited as originating in Theophrastus’s typology.

One of the thirty sketches of Theophrastus reads thus:

Of Obscenity, or Ribaldry
Impurity or beastliness is not hard to be defined. It is a licentious lewd jest. He is impure or flagitious, who meeting with modest women, sheweth that which taketh his name of shame or secrecy. Being at a Play in the Theatre, when all are attentively silent, he in a cross conceit applauds, or claps his hands: and when the Spectators are exceedingly pleased, he hisseth: and when all the company is very attentive in hearing and beholding, he lying alone belcheth or breaketh wind, as if Æolus were bustling in his Cave; forcing the Spectators to look another way …” [1], translation by Joseph Healey

More recent writing inspired by Theophrastus includes George Eliot‘s 1879 book of character sketches, Impressions of Theophrastus Such.

Illustration in a 19th century book about physiognomy

Illustration in a 19th century book about physiognomy

What I particularly like about these character sketches are their plotlessness, their roots as inspiration for the psychological novel, there generalizations into stereotypes and stock characters, and finally, their link to caricatures and physiognomy.

Henry Scott Tuke @150


Sunbathers by Henry Scott Tuke

Sunbathers by Tuke

Today would have been Henry Scott Tuke‘s 150th birthday. Tuke, (12 June 185813 March 1929), a British painter and photographer, is best remembered for his homoerotic paintings of naked boys and young men, which have earned him a status as a pioneer of gay male culture. His nude adolescent boys were depicted doing everyday activities; his images were not overtly erotic, nor did they usually show their genitals.

Introducing Stan Vanderbeek


[Youtube=http://www.youtube.com/watch?v=1si3JxfYuBA]

Symmetrics (music credits anyone? Possibly Ravi Shankar?)

I don’t think I’ve mentioned American experimental filmmaker Stan Vanderbeek (1927 – 1984) on this blog. Today, I found his Symmetrics[1] of 1972 on YouTube. Vanderbeek is one of those artists I discovered in the post-internet days. Before the advent of YouTube this usually meant reading about him only, apart from the occasional still one might find on the net, such as this[2] very nice one.

Actually seeing Vanderbeek’s output on YouTube has proven to be very rewarding, especially after my disappointment in seeing much-read-about works Wavelength[3] by Michael Snow (born 1929) and that other overrated “structural filmSerene Velocity[4] by Ernie Gehr (born 1943).

These two last ones are deadly serious and devoid of any sense of humor; works such as Achooo Mr. Kerrooschev (1960) [5] by Vanderbeek are anything but that.

Click the numbers to see, hear.

If you like the work of Vanderbeek, you may also enjoy Len Lye.

Abandon hope all ye who enter here


C_W_Peale_-_The_Artist_in_His_Museum

Abandon all hope, you who enter here“.