Nile Rodgers, guitarist for the popular disco era group Chic said “It felt to us like Nazi book-burning, This is America, the home of jazz and rock and people were now afraid even to say the word ‘disco’.”
There was never a focused backlash against disco in Europe.
Now, for the first time on this blog: local news coverage of this Dionysian moment.
Allen Klein (December 18, 1931 – July 4, 2009) was an American businessman and record label executive. His career highlights included having such celebrated clients as The Beatles and The Rolling Stones. Many of his famous clients eventually turned against him, however, and he became involved in acrimonious legal battles with them. At one time he owned the rights to Chilean director Jodorowsky’s films El Topo and The Holy Mountain and as a form of retribution refused to show them during 30 years.
A second reminder: I’m having fun at my Tumblr account. I draft these posts there and post anything I find which hasn’t (or not extensively) been blogged about by others.
Baby Doll is a 1956 film which tells the story of the childlike bride of a Mississippi cotton gin owner, who becomes the pawn in a battle between her husband and his enemy.
The film is credited with both the name and originating the popularity of the babydollnightgown, which derives from the costume worn by Baker’s character.
The Catholic Legion of Decency succeeded in having the film withdrawn from release in most U.S. theaters because of their objections over its sexual themes. The movie was banned in many countries like Sweden, due to its allegedly exaggerated sexual content. The film was also condemned by Time, which called it the “dirtiest American-made motion picture that had ever been legally exhibited”.
PS In one of my other favorite performances he plays a blind man in The Cat o’ Nine Tails (Dario Argento) in which he reminded me of the blind mother in Peeping Tom. There he is quite different from the chump stereotype.
HUNDREDS OF YOUNG MEN WENT ON A RAMPAGE IN GREENWICH VILLAGE, shortly after 3 A.M. yesterday after a force of plain-clothes men raided a bar that the police said was well known for its homo-sexual clientele.
Thirteen persons were arrested and four policemen injured. The young men threw bricks, bottles, garbage, pennies and a parking meter at the policemen, who had a search warrant authorizing them in investigate reports that liquor was sold illegally at the bar, the Stonewall Inn, 53 Christopher Street, just off Sheridan Square.–New York Times, June 29, 1969[2]
The Stonewall riots were a series of violent conflicts between New York Citypolice officers and groups of gay and transgender people that began during the early morning of June 28, 1969, and lasted several days. Also called the Stonewall Rebellion or simply Stonewall, the clash was a watershed for the worldwide gay rights movement, as gay and transgender people had never before acted together in such large numbers to forcibly resist police.
Except for Illinois, which decriminalizedsodomy in 1961, homosexual acts, even between consenting adults acting in private homes, were a criminal offense in every U.S. state at the time the Stonewall Riots occurred: “An adult convicted of the crime of having sex with another consenting adult in the privacy of his or her home could get anywhere from a light fine to five, ten, or twenty years—or even life—in prison. In 1971, twenty states had ‘sex psychopath‘ laws that permitted the detaining of homosexuals for that reason alone. In Pennsylvania and California sex offenders could be locked in a mental institution for life, and [in] seven states they could be castrated.” (Stonewall: The Riots That Sparked the Gay Revolution, by David Carter, p. 15) Castration, emetics, hypnosis, electroshock therapy and lobotomies were used by psychiatrists to attempt to cure homosexuals through the 1950s and 1960s.(Katz, pp. 181–197.)(Adam, p. 60.)
Subsequent nightclubs, such as The Sanctuary, often billed as the first modern DJ-led nightclub of New York, epitomized the post-Stonewall era, “when gay men had won the right to dance intimately together without worrying about the police.” –Peter Braunstein
RIP Sky Saxon, 63, American, a minor rock musician known of his work with The Seeds has vanished from the firmament of 20th century music. Saxon enjoyed his floruit in the 1960s, his success was limited to North America.
Sky “Sunlight” Saxon (1946 – June 25, 2009) was best known as the leader and singer of the 1960s Los Angeles garage rock band The Seeds, and his hit single “(You’re) Pushin’ Too Hard” (1965).
The Seeds‘ raw and abrasive energy and simple, repetitive lyrics came to exemplify the garage rock style of the 1960s. Other notable recordings include “Mr Farmer” (1967), “Can’t Seem To Make You Mine” and “Two Fingers Pointing on You,” which was included in Psych-Out, directed by Richard Rush in 1968.
“Pushin’ Too Hard“, released in 1965 as a single, is a musical composition by The Seeds, dealing with teenage angst about an unfaithful girl. “Lying girls” was a common theme of garage rock compositions.
Garage rock is a raw form of rock and roll that was first popular in the United States and Canada from about 1963 to 1967. During the 1960s, it was not recognized as a separate music genre and had no specific name. In the early 1970s, some rock critics retroactively labelled it as punk rock. However, the music style was later referred to as garage rock or ‘60s Punk to avoid confusion with the music of late-1970s punk rock bands such as the Sex Pistols and The Clash. The garage rock revival can be traced to the early 1970s, following the release of Nuggets: Original Artyfacts from the First Psychedelic Era, 1965-1968 in 1972.
I’ve mentioned Michael Jackson twice[1][2] on this blog, once when I was amazed by his choice of footage in “They Don’t Care About Us“[3], and once when I did the obituary of James Brown when I mentioned that Brown’s “rapid-footed dancing inspired Mick Jagger and Michael Jackson”.
With more than 100 million albums sold, Thriller (1982) is the bestselling album of all time and is iconic in the history of 20th century popular music, where he is the natural heir to Elvis Presley. Beyond both dying from an abuse of prescription drugs, parallels beween Presley and Jackson are numerous (Graceland/Neverland). Lisa Marie Presley, for a short time married to Jackson in the nineties wrote at the time of Jackson’s death that he knew “exactly how his fate would be played out” and feared his death would echo that of Elvis Presley.
Image:Ill-Matched Loversby Quentin Matsys The trope of the senex amans is to be found in the The Merchant’s Tale and The Miller’s Tale and in all AT 1423 type stories, but visually also in prints and paintings by the likes of Hans Sebald Beham, Grien and Matsys. “The old man approaches the young woman, and while she appears to be allowing him to embrace her, […]