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	<title>Jahsonic</title>
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	<link>http://jahsonic.wordpress.com</link>
	<description>A vocabulary of culture, or wanting connections, we found connections.</description>
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		<title>Jahsonic</title>
		<link>http://jahsonic.wordpress.com</link>
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			<item>
		<title>This blog &#8230;</title>
		<link>http://jahsonic.wordpress.com/2009/09/13/this-blog/</link>
		<comments>http://jahsonic.wordpress.com/2009/09/13/this-blog/#comments</comments>
		<pubDate>Sun, 13 Sep 2009 09:59:18 +0000</pubDate>
		<dc:creator>jahsonic</dc:creator>
				<category><![CDATA[blogs]]></category>

		<guid isPermaLink="false">http://jahsonic.wordpress.com/?p=3892</guid>
		<description><![CDATA[I&#8217;ve decided to spend less time online so this blog closes temporarily. You can still find me posting at Tumblr, where I can be found at  http://jahsonic.tumblr.com, an image-centric microblogging site.
Deciding to spend less time online also involves not reading blogs anymore on a systematic basis. I followed about 140 blogs which proved way too [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=jahsonic.wordpress.com&blog=360009&post=3892&subd=jahsonic&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p>I&#8217;ve decided to spend less time online so <strong>this blog </strong>closes temporarily. You can still find me posting at Tumblr, where I can be found at  <a href="http://jahsonic.tumblr.com/">http://jahsonic.tumblr.com</a>, an image-centric microblogging site.</p>
<p>Deciding to spend less time online also involves not reading blogs anymore on a systematic basis. I followed about 140 blogs which proved way too many.</p>
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		<title>Gratuitous nudity #18</title>
		<link>http://jahsonic.wordpress.com/2009/08/14/gratuitous-nudity-18/</link>
		<comments>http://jahsonic.wordpress.com/2009/08/14/gratuitous-nudity-18/#comments</comments>
		<pubDate>Fri, 14 Aug 2009 23:09:22 +0000</pubDate>
		<dc:creator>jahsonic</dc:creator>
				<category><![CDATA[gratuitous nudity]]></category>

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		<description><![CDATA[
Liebeszauber (c. 1470, Magic of Love) is an Early Netherlandish painting depicting a nude woman casting a love spell over a young man who is about to enter her room. The painting is housed at the Leipzig, Museum der Künste. The woman has a tight pelvis, wide waist circumference and small breasts.
See love magic, anonymous [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=jahsonic.wordpress.com&blog=360009&post=3888&subd=jahsonic&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p style="text-align:center;"><a href="http://www.artandpopularculture.com/Liebeszauber"><img class="aligncenter" src="http://10.media.tumblr.com/tumblr_koe2bor91k1qz4yqio1_400.gif" alt="" width="384" height="500" /></a></p>
<p><em><strong>Liebeszauber</strong></em> (c. 1470, Magic of Love) is an <a title="Early Netherlandish painting" href="http://www.artandpopularculture.com/Early_Netherlandish_painting">Early Netherlandish painting</a> depicting a <a title="Nude woman" href="http://www.artandpopularculture.com/Nude_woman">nude woman</a> casting a <a title="Love spell" href="http://www.artandpopularculture.com/Love_spell">love spell</a> over a young man who is about to enter her room. The painting is housed at the <a title="Leipzig, Museum der Künste" href="http://www.artandpopularculture.com/Leipzig%2C_Museum_der_K%C3%BCnste">Leipzig, Museum der Künste</a>. The woman has a tight <a title="Pelvis" href="http://www.artandpopularculture.com/Pelvis">pelvis</a>, wide <a title="Waist" href="http://www.artandpopularculture.com/Waist">waist</a> circumference and <a title="Small breasts" href="http://www.artandpopularculture.com/Small_breasts">small breasts</a>.</p>
<p>See <a title="Love magic" href="http://www.artandpopularculture.com/Love_magic">love magic</a>, <a title="Anonymous masters" href="http://www.artandpopularculture.com/Anonymous_masters">anonymous masters</a>, <a title="Love spell" href="http://www.artandpopularculture.com/Love_spell">love spells</a>, <a title="Female body shape" href="http://www.artandpopularculture.com/Female_body_shape">female body shape</a> and <a title="Early Netherlandish painting" href="http://www.artandpopularculture.com/Early_Netherlandish_painting">Early Netherlandish painting</a>.</p>
<p>More love magic in art and literature:</p>
<ul>
<li> <a title="Heracles" href="http://www.artandpopularculture.com/Heracles">Heracles</a> and <a title="Deianeira" href="http://www.artandpopularculture.com/Deianeira">Deianeira</a></li>
</ul>
<p>“A wild centaur named <a title="Nessus (mythology)" href="http://www.artandpopularculture.com/Nessus_%28mythology%29">Nessus</a> attempted to kidnap Deianira, but she was rescued by Heracles, who shot the centaur with a poisoned arrow. As he lay dying, Nessus lied to Deianira, telling her that a mixture of olive oil with the semen that he had dropped on the ground and his heart’s blood would ensure that <a title="Heracles" href="http://www.artandpopularculture.com/Heracles">Heracles</a> would never again be unfaithful. ”</p>
<ul>
<li> <a title="Tristan and Isolde" href="http://www.artandpopularculture.com/Tristan_and_Isolde">Tristan and Isolde</a></li>
</ul>
<p>“Tristan goes to <a title="Ireland" href="http://www.artandpopularculture.com/Ireland">Ireland</a> to bring back the fair Iseult for his uncle King Mark to marry. Along the way, they accidentally ingest a <a title="Love potion" href="http://www.artandpopularculture.com/Love_potion">love potion</a> that causes the pair to fall madly in love.  In the <a title="Courtly love" href="http://www.artandpopularculture.com/Courtly_love">“courtly” version</a>, the potion’s effects last for a lifetime; in the “common” versions, however, the potion’s effects wane after three years.</p>
<ul>
<li> <a title="Gaetano Donizetti" href="http://www.artandpopularculture.com/Gaetano_Donizetti">Donizettis</a> <em><a title="L'elisir d'amore" href="http://www.artandpopularculture.com/L%27elisir_d%27amore">L’elisir d’amore</a></em></li>
</ul>
<p>“The opening of this comic opera finds Nemorino, a poor peasant, in love with Adina, a beautiful landowner, who torments Nemorino with her indifference. When Nemorino hears Adina reading to her workers the story of <a title="Tristan and Iseult" href="http://www.artandpopularculture.com/Tristan_and_Iseult">Tristan and Isolde</a>, he is convinced that a magic potion will gain Adina’s love for him. The traveling quack salesman, Dulcamara arrives, Nemorino innocently asks Dulcamara if he has anything like Isolde’s <a title="Love potion" href="http://www.artandpopularculture.com/Love_potion">love potion</a>. Dulcamara says he does, selling it to Nemorino at a price matching the contents of Nemorino’s pockets. Unknown to Nemorino, the bottle contains only wine. ”</p>
<ul>
<li> <a title="Frank Wedekind" href="http://www.artandpopularculture.com/Frank_Wedekind">Frank Wedekind</a>’s  <em><a title="Der Liebestrank" href="http://www.artandpopularculture.com/Der_Liebestrank">Der Liebestrank</a></em>.</li>
</ul>
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		<title>Let no man unwilling to engage in love affairs with other visitors enter my doors</title>
		<link>http://jahsonic.wordpress.com/2009/08/13/let-no-man-unwilling-to-engage-in-love-affairs-with-other-visitors-enter-my-doors/</link>
		<comments>http://jahsonic.wordpress.com/2009/08/13/let-no-man-unwilling-to-engage-in-love-affairs-with-other-visitors-enter-my-doors/#comments</comments>
		<pubDate>Thu, 13 Aug 2009 22:19:27 +0000</pubDate>
		<dc:creator>jahsonic</dc:creator>
				<category><![CDATA[philosophy]]></category>

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		<description><![CDATA[I finally hold a copy of Sferen in my hands, a Dutch translation of Spheres I and II, with a detail of two lovers in a bubble from the The Garden of Earthly Delights by Bosch on the cover.

The detail is “showing nudes cavorting within a transparent sphere. &#8230;The figures’s arms are entwined, while the [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=jahsonic.wordpress.com&blog=360009&post=3880&subd=jahsonic&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><div style="text-align:left;">I finally hold a copy of <em><a title="Sferen" href="http://www.artandpopularculture.com/Sferen">Sferen</a></em> in my hands, a Dutch translation of <em>Spheres I</em> and <em>II</em>, with a detail of two lovers in a <a title="Bubble" href="http://www.artandpopularculture.com/Bubble">bubble</a> from the <em><a title="The Garden of Earthly Delights" href="http://www.artandpopularculture.com/The_Garden_of_Earthly_Delights">The Garden of Earthly Delights</a></em> by <a title="Bosch" href="http://www.artandpopularculture.com/Bosch">Bosch</a> on the cover.</div>
<p style="text-align:center;"><a href="http://www.artandpopularculture.com/Sferen"><img src="http://16.media.tumblr.com/tumblr_koc5ixpt2j1qz4yqio1_400.png" alt="" width="301" height="512" /></a></p>
<p>The detail is “showing nudes cavorting within a transparent sphere. &#8230;The figures’s arms are entwined, while the female’s head bends towards the male’s attentive mouth.”(<a title="Belting" href="http://www.artandpopularculture.com/Belting">Belting</a>)</p>
<p>Sloterdijk first caught my attention when stumbling on his <a title="Arse" href="http://www.artandpopularculture.com/Arse">arse</a> comments.</p>
<blockquote><p>“The <a title="Arse" href="http://www.artandpopularculture.com/Arse">arse</a> seems to be condemned to live in the <a title="Dark" href="http://www.artandpopularculture.com/Dark">dark</a>. Among the different parts of our <a title="Body" href="http://www.artandpopularculture.com/Body">body</a>, it leads the life of a <a title="Tramp" href="http://www.artandpopularculture.com/Tramp">tramp</a>. It truly is the <a title="Idiot" href="http://www.artandpopularculture.com/Idiot">idiot</a> of the family. Yet it would be a miracle if this <a title="Black sheep" href="http://www.artandpopularculture.com/Black_sheep">black sheep</a> of the body did not have a ready opinion of the events taking place in higher regions, just like those who have been rejected by society often express the most sober views of it.” — <em><a title="Critique of Cynical Reason" href="http://www.artandpopularculture.com/Critique_of_Cynical_Reason">Critique of Cynical Reason</a></em> by <a title="Peter Sloterdijk" href="http://www.artandpopularculture.com/Peter_Sloterdijk">Peter Sloterdijk</a></p></blockquote>
<p>This book had me laughing on the second page when Sloterdijk adds an imaginary <a title="Plate" href="http://www.artandpopularculture.com/Plate">plate</a> to hang above the entrance to <a title="Plato" href="http://www.artandpopularculture.com/Plato">Plato</a>&#8217;s academy (the original one is &#8220;let no one <a title="Destitute" href="http://www.artandpopularculture.com/Destitute">destitute</a> of <a title="Geometry" href="http://www.artandpopularculture.com/Geometry">geometry</a> enter my <a title="Door" href="http://www.artandpopularculture.com/Door">doors</a>.&#8221;), titled <strong>&#8220;let no man unwilling to engage in <a title="Love affair" href="http://www.artandpopularculture.com/Love_affair">love affairs</a> with other visitors enter my doors,&#8221;</strong> thereby filling the world with an <a title="Embodied philosophy" href="http://www.artandpopularculture.com/Embodied_philosophy">embodied philosophy</a>, one which does not deny <a title="Eros (mythology)" href="http://www.artandpopularculture.com/Eros_%28mythology%29">Eros</a>.</p>
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		<title>RIP Les Paul (1915 – 2009)</title>
		<link>http://jahsonic.wordpress.com/2009/08/13/rip-les-paul/</link>
		<comments>http://jahsonic.wordpress.com/2009/08/13/rip-les-paul/#comments</comments>
		<pubDate>Thu, 13 Aug 2009 19:27:58 +0000</pubDate>
		<dc:creator>jahsonic</dc:creator>
				<category><![CDATA[American culture]]></category>
		<category><![CDATA[death]]></category>
		<category><![CDATA[juxtapoetry]]></category>

		<guid isPermaLink="false">http://jahsonic.wordpress.com/?p=3876</guid>
		<description><![CDATA[Les Paul (1915 &#8211; 2009)

RIP Les Paul, 94, American guitarist and inventor. In 1954, Les Paul commissions Ampex to build the first eight track tape recorder, at his own expense.
&#8220;Country Living&#8221; recording above related to Les Paul via an &#8220;Ampex + Jahsonic&#8221; Google search.
Jahsonic is interested in the &#8220;recording studio as a musical instrument.&#8221;
  [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=jahsonic.wordpress.com&blog=360009&post=3876&subd=jahsonic&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p style="text-align:center;"><a title="Les Paul" href="http://www.artandpopularculture.com/Les_Paul">Les Paul</a> (1915 &#8211; 2009)</p>
<p style="text-align:center;"><span style="text-align:center; display: block;"><a href="http://jahsonic.wordpress.com/2009/08/13/rip-les-paul/"><img src="http://img.youtube.com/vi/3yuLChdljNE/2.jpg" alt="" /></a></span></p>
<p><a title="RIP" href="http://www.artandpopularculture.com/RIP">RIP</a> <a title="Les Paul" href="http://www.artandpopularculture.com/Les_Paul">Les Paul</a>, 94, <a title="American guitarist" href="http://www.artandpopularculture.com/American_guitarist">American guitarist</a> and <a title="Inventor" href="http://www.artandpopularculture.com/Inventor">inventor</a>. In <a title="1954" href="http://www.artandpopularculture.com/1954">1954</a>, <a title="Les Paul" href="http://www.artandpopularculture.com/Les_Paul">Les Paul</a> commissions <a title="Ampex" href="http://www.artandpopularculture.com/Ampex">Ampex</a> to build the first <a title="8-track (multitrack)" href="http://www.artandpopularculture.com/8-track_%28multitrack%29">eight track</a> <a title="Tape recorder" href="http://www.artandpopularculture.com/Tape_recorder">tape recorder</a>, at his own expense.</p>
<p>&#8220;Country Living&#8221; recording above related to <a title="Les Paul" href="http://www.artandpopularculture.com/Les_Paul">Les Paul</a> via an &#8220;<a title="Ampex" href="http://www.artandpopularculture.com/Ampex">Ampex</a> + <a title="Jahsonic" href="http://www.artandpopularculture.com/Jahsonic">Jahsonic</a>&#8221; Google search.</p>
<p>Jahsonic is interested in the &#8220;<a title="Recording studio" href="http://www.artandpopularculture.com/Recording_studio">recording studio as a musical instrument</a>.&#8221;</p>
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		<title>Alfred Hitchcock @110</title>
		<link>http://jahsonic.wordpress.com/2009/08/13/alfred-hitchcock-110/</link>
		<comments>http://jahsonic.wordpress.com/2009/08/13/alfred-hitchcock-110/#comments</comments>
		<pubDate>Thu, 13 Aug 2009 10:56:55 +0000</pubDate>
		<dc:creator>jahsonic</dc:creator>
				<category><![CDATA[European culture]]></category>
		<category><![CDATA[film]]></category>

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		<description><![CDATA[Alfred Hitchcock @110



Alfred Hitchcock KBE (August 13 1899 – April 29 1980) was a highly influential film director and producer who pioneered many techniques in the suspense and thriller genres.
Hitchcock’s films draw heavily on both fear and fantasy, and are known for their witticisms. They often portray innocent people caught up in circumstances beyond their [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=jahsonic.wordpress.com&blog=360009&post=3872&subd=jahsonic&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p style="text-align:center;"><a title="Alfred Hitchcock" href="http://www.artandpopularculture.com/Alfred_Hitchcock">Alfred Hitchcock</a> @110</p>
<div style="text-align:center;"><a href="http://thehitchcockpapers.files.wordpress.com/2009/03/alfred-hitchcock-murders-on-the-half-skull-pb.jpg"><img src="http://13.media.tumblr.com/Y3KxdEiQur2uetkkkbs38bXMo1_500.jpg" alt="" width="423" height="700" /></a></div>
<p><a title="Alfred Hitchcock" href="http://www.artandpopularculture.com/Alfred_Hitchcock"><br />
</a></p>
<p><strong>Alfred Hitchcock</strong> <a title="Order of the British Empire" href="http://www.artandpopularculture.com/Order_of_the_British_Empire">KBE</a> (<a title="August 13" href="http://www.artandpopularculture.com/August_13">August 13</a> <a title="1899" href="http://www.artandpopularculture.com/1899">1899</a> – <a title="April 29" href="http://www.artandpopularculture.com/April_29">April 29</a> <a title="1980" href="http://www.artandpopularculture.com/1980">1980</a>) was a highly <a title="Influential" href="http://www.artandpopularculture.com/Influential">influential</a> <a title="Film" href="http://www.artandpopularculture.com/Film">film</a> <a title="Film director" href="http://www.artandpopularculture.com/Film_director">director</a> and <a title="Film producer" href="http://www.artandpopularculture.com/Film_producer">producer</a> who pioneered many techniques in the <a title="Suspense" href="http://www.artandpopularculture.com/Suspense">suspense</a> and <a title="Thriller (genre)" href="http://www.artandpopularculture.com/Thriller_%28genre%29">thriller</a> genres.</p>
<p>Hitchcock’s films draw heavily on both <a title="Fear" href="http://www.artandpopularculture.com/Fear">fear</a> and <a title="Fantasy" href="http://www.artandpopularculture.com/Fantasy">fantasy</a>, and are known for their <a title="Witticism" href="http://www.artandpopularculture.com/Witticism">witticisms</a>. They often portray innocent people caught up in circumstances beyond their control or understanding.</p>
<p>Until the later part of his career, Hitchcock was far more popular with film audiences than with <a title="Film critics" href="http://www.artandpopularculture.com/Film_critics">film critics</a>, especially the elite British and American critics. In the late 1950s the <a title="French New Wave" href="http://www.artandpopularculture.com/French_New_Wave">French New Wave</a> critics, especially <a title="Éric Rohmer" href="http://www.artandpopularculture.com/%C3%89ric_Rohmer">Éric Rohmer</a>, <a title="Claude Chabrol" href="http://www.artandpopularculture.com/Claude_Chabrol">Claude Chabrol</a>, and <a title="François Truffaut" href="http://www.artandpopularculture.com/Fran%C3%A7ois_Truffaut">François Truffaut</a>, were among the first to see and promote his films as <a title="Art film" href="http://www.artandpopularculture.com/Art_film">artistic works</a>. Hitchcock was one of the first directors to whom they applied their <a title="Auteur theory" href="http://www.artandpopularculture.com/Auteur_theory">auteur theory</a>, which stresses the artistic authority of the director in the film-making process.</p>
<p><a title="Psychoanalytical film theory" href="http://www.artandpopularculture.com/Psychoanalytical_film_theory">Psychoanalytical film theorists</a> such as <a title="Slavoj Žižek" href="http://www.artandpopularculture.com/Slavoj_%C5%BDi%C5%BEek">Slavoj Žižek</a> (<em><a title="The Pervert's Guide to Cinema" href="http://www.artandpopularculture.com/The_Pervert%27s_Guide_to_Cinema">The Pervert’s Guide to Cinema</a></em>) have noticed how Hitchcock often applied Freudian concepts to his  <a title="Psychological thriller" href="http://www.artandpopularculture.com/Psychological_thriller">psychological thrillers</a>, as in <em><a title="Rebecca (film)" href="http://www.artandpopularculture.com/Rebecca_%28film%29">Rebecca</a></em>, <em><a title="Spellbound" href="http://www.artandpopularculture.com/Spellbound">Spellbound</a></em>, <em><a title="Vertigo (film)" href="http://www.artandpopularculture.com/Vertigo_%28film%29">Vertigo</a></em>, <em><a title="Psycho (1960 film)" href="http://www.artandpopularculture.com/Psycho_%281960_film%29">Psycho</a></em>, and <em><a title="Marnie (film)" href="http://www.artandpopularculture.com/Marnie_%28film%29">Marnie</a></em>. Additionally, Hitchcock often dealt with matters that he felt were <a title="Sexually" href="http://www.artandpopularculture.com/Sexually">sexually</a> <a title="Perverse" href="http://www.artandpopularculture.com/Perverse">perverse</a> or <a title="Kinky" href="http://www.artandpopularculture.com/Kinky">kinky</a>, and many of his films aimed to <a title="Subvert" href="http://www.artandpopularculture.com/Subvert">subvert</a> the restrictive <a title="Production Code" href="http://www.artandpopularculture.com/Production_Code">Hollywood Production Code</a>.</p>
<p>Cover: <em><a title="Murders on the Half-Skull" href="http://www.artandpopularculture.com/Murders_on_the_Half-Skull">Murders on the Half-Skull</a></em> by <a title="Alfred Hitchcock" href="http://www.artandpopularculture.com/Alfred_Hitchcock">Alfred Hitchcock</a> (<a title="1970" href="http://www.artandpopularculture.com/1970">1970</a>, <a title="Dell" href="http://www.artandpopularculture.com/Dell">Dell</a> [New York]). Cover artist ID anyone?</p>
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		<title>Let&#8217;s make some room for bad taste</title>
		<link>http://jahsonic.wordpress.com/2009/08/12/lets-make-some-room-for-bad-taste/</link>
		<comments>http://jahsonic.wordpress.com/2009/08/12/lets-make-some-room-for-bad-taste/#comments</comments>
		<pubDate>Wed, 12 Aug 2009 21:14:55 +0000</pubDate>
		<dc:creator>jahsonic</dc:creator>
				<category><![CDATA[Belgium]]></category>
		<category><![CDATA[avant-garde]]></category>
		<category><![CDATA[kitsch]]></category>

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		<description><![CDATA[
Let&#8217;s make some room for bad taste.
Enter Lolo Ferrari.
Lolo Ferrari, born Eve Valois (February 9, 1968 – March 5, 2000) was the stage name of a French dancer, actress, and singer billed as &#8220;the woman with the largest breasts in the world&#8221;  though their size was artificially achieved. In 1995, she caused a sensation [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=jahsonic.wordpress.com&blog=360009&post=3866&subd=jahsonic&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p style="text-align:center;"><span style="text-align:center; display: block;"><a href="http://jahsonic.wordpress.com/2009/08/12/lets-make-some-room-for-bad-taste/"><img src="http://img.youtube.com/vi/buPWYJf2Eu8/2.jpg" alt="" /></a></span></p>
<p>Let&#8217;s make some room for <a title="Bad taste" href="http://www.artandpopularculture.com/Bad_taste">bad taste</a>.</p>
<p>Enter <a title="Lolo Ferrari" href="http://www.artandpopularculture.com/Lolo_Ferrari">Lolo Ferrari</a>.</p>
<p><strong>Lolo Ferrari</strong>, born <strong>Eve Valois</strong> (February 9, 1968 – March 5, 2000) was the stage name of a French dancer, actress, and singer billed as &#8220;<a title="The Big Book of Breasts" href="http://www.artandpopularculture.com/The_Big_Book_of_Breasts">the woman with the largest breasts in the world</a>&#8221;  though their size was <a title="Fake breast" href="http://www.artandpopularculture.com/Fake_breast">artificially</a> achieved. In 1995, she caused a sensation at the <a title="Cannes Film Festival" href="http://www.artandpopularculture.com/Cannes_Film_Festival">Cannes Film Festival</a> with the presentation of the movie <em><a title="Camping Cosmos" href="http://www.artandpopularculture.com/Camping_Cosmos">Camping Cosmos</a></em> by <a title="Jan Bucquoy" href="http://www.artandpopularculture.com/Jan_Bucquoy">Jan Bucquoy</a>.</p>
<p><em><strong>Camping Cosmos</strong></em> is a <a title="Comedy film" href="http://www.artandpopularculture.com/Comedy_film">comedy film</a> by Belgian director <a title="Jan Bucquoy" href="http://www.artandpopularculture.com/Jan_Bucquoy">Jan Bucquoy</a>, starring <a title="Lolo Ferrari" href="http://www.artandpopularculture.com/Lolo_Ferrari">Lolo Ferrari</a>. We see Belgians on holiday in a <a title="Trailer park" href="http://www.artandpopularculture.com/Trailer_park">trailer park</a> at the beach in the year <a title="1986" href="http://www.artandpopularculture.com/1986">1986</a> with the first danger signals of <a title="AIDS" href="http://www.artandpopularculture.com/AIDS">AIDS</a>. The purpose of the campsite entertainer is to bring culture to the <a title="Common people" href="http://www.artandpopularculture.com/Common_people">common people</a>; but they are not interested when the play of <a title="Bertolt Brecht" href="http://www.artandpopularculture.com/Bertolt_Brecht">Bertolt Brecht</a> <em><a title="Mother Courage and Her Children" href="http://www.artandpopularculture.com/Mother_Courage_and_Her_Children">Mother Courage and Her Children</a></em> is shown. Then he launches a <a title="Beauty contest" href="http://www.artandpopularculture.com/Beauty_contest">beauty contest</a>, a song contest and a boxing match</p>
<p>In <em>Camping Cosmos</em> <a title="Lolo Ferrari" href="http://www.artandpopularculture.com/Lolo_Ferrari">Lolo Ferrari</a> comes out of the sea as an <a title="Aphrodite" href="http://www.artandpopularculture.com/Aphrodite">Aphrodite</a> with the song of &#8220;<a title="Land of Hope and Glory" href="http://www.artandpopularculture.com/Land_of_Hope_and_Glory">Land of Hope and Glory</a>&#8221; and having her first <a title="Orgasm" href="http://www.artandpopularculture.com/Orgasm">orgasm</a> with the comic <em><a title="Tintin in the Congo" href="http://www.artandpopularculture.com/Tintin_in_the_Congo">Tintin in the Congo</a></em>. The influence of <a title="Jacques Lacan" href="http://www.artandpopularculture.com/Jacques_Lacan">Jacques Lacan</a> is imminent: <em><a title="Little death" href="http://www.artandpopularculture.com/Little_death">Sex is the little Death</a></em>. <a title="Arno Hintjens" href="http://www.artandpopularculture.com/Arno_Hintjens">Arno Hintjens</a> and <a title="Jan Decleir" href="http://www.artandpopularculture.com/Jan_Decleir">Jan Decleir</a> are a homosexual couple. The <a title="Protest" href="http://www.artandpopularculture.com/Protest">protest</a> of the younger generation (Eve and her boyfriend) supposedly refers to <a title="Traité du savoir-vivre à l'usage des jeunes générations" href="http://www.artandpopularculture.com/Trait%C3%A9_du_savoir-vivre_%C3%A0_l%27usage_des_jeunes_g%C3%A9n%C3%A9rations">Traité du savoir-vivre à l&#8217;usage des jeunes générations</a> by <a title="Raoul Vaneigem" href="http://www.artandpopularculture.com/Raoul_Vaneigem">Raoul Vaneigem</a>. A character cites <a title="Louis Scutenaire" href="http://www.artandpopularculture.com/Louis_Scutenaire">Louis Scutenaire</a> and <em><a title="Détournement" href="http://www.artandpopularculture.com/D%C3%A9tournement">détournement</a> publicitaire</em> à la <a title="Marcel Mariën" href="http://www.artandpopularculture.com/Marcel_Mari%C3%ABn">Marcel Mariën</a> is used. Both were <a title="Belgian surrealist" href="http://www.artandpopularculture.com/Belgian_surrealist">Belgian surrealists</a>.</p>
<p>The film is awful but aged 34 and feeling you haven&#8217;t seen everything yet and after all, you are from Belgium, and you see it anyway. You rent it a second time (you must be bored) and thankfully the video store clerk alerts you to your mistake.</p>
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		<title>&#8220;Palm Trees (Love Guitar)&#8221; is World Music Classic #381</title>
		<link>http://jahsonic.wordpress.com/2009/08/12/palm-trees-love-guitar-is-world-music-classic-381/</link>
		<comments>http://jahsonic.wordpress.com/2009/08/12/palm-trees-love-guitar-is-world-music-classic-381/#comments</comments>
		<pubDate>Wed, 12 Aug 2009 20:39:35 +0000</pubDate>
		<dc:creator>jahsonic</dc:creator>
				<category><![CDATA[1001 things to do before you die]]></category>
		<category><![CDATA[world music classics]]></category>

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		<description><![CDATA[
Steve Hillage&#8217;s &#8220;Palm Trees (Love Guitar) &#8220;[1] from his Green album is World Music Classic #381.
       <img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=jahsonic.wordpress.com&blog=360009&post=3862&subd=jahsonic&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p style="text-align:center;"><span style="text-align:center; display: block;"><a href="http://jahsonic.wordpress.com/2009/08/12/palm-trees-love-guitar-is-world-music-classic-381/"><img src="http://img.youtube.com/vi/4d1TkT1EZmM/2.jpg" alt="" /></a></span></p>
<p><a title="Steve Hillage" href="http://www.artandpopularculture.com/Steve_Hillage">Steve Hillage</a>&#8217;s &#8220;<a title="Palm Trees (Love Guitar)" href="http://www.artandpopularculture.com/Palm_Trees_%28Love_Guitar%29">Palm Trees (Love Guitar) </a>&#8220;<a title="http://www.youtube.com/watch?v=4d1TkT1EZmM" rel="nofollow" href="http://www.youtube.com/watch?v=4d1TkT1EZmM">[1]</a> from his <em><a title="Green (Steve Hillage album)" href="http://www.artandpopularculture.com/Green_%28Steve_Hillage_album%29">Green</a></em> album is <a title="World Music Classic" href="http://www.artandpopularculture.com/World_Music_Classic">World Music Classic</a> #381.</p>
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		<title>RIP Thierry Jonquet (1954 &#8211; 2009)</title>
		<link>http://jahsonic.wordpress.com/2009/08/11/rip-thierry-jonquet-1954-2009/</link>
		<comments>http://jahsonic.wordpress.com/2009/08/11/rip-thierry-jonquet-1954-2009/#comments</comments>
		<pubDate>Tue, 11 Aug 2009 14:19:13 +0000</pubDate>
		<dc:creator>jahsonic</dc:creator>
				<category><![CDATA[French culture]]></category>
		<category><![CDATA[death]]></category>
		<category><![CDATA[literature]]></category>

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		<description><![CDATA[RIP Thierry Jonquet

RIP Thierry Jonquet, sometime collaborator of Jacques Tardi, author of the nouveau polar français, author of Mygale (1984), currently being filmed by  Pedro Almodóvar as Tarantula.
Thierry Jonquet’s Tarantula was blurbed as “An unholy collaboration between Sade and Sartre, with occasional comic interventions by that honorary Frenchman Jerry Lee Lewis”
Tip of the hat [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=jahsonic.wordpress.com&blog=360009&post=3859&subd=jahsonic&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><p style="text-align:center;">RIP <a title="Thierry Jonquet" href="http://www.artandpopularculture.com/Thierry_Jonquet">Thierry Jonquet</a></p>
<p style="text-align:center;"><img class="aligncenter" src="http://19.media.tumblr.com/Y3KxdEiQur097zd31Xd6rEDEo1_500.jpg" alt="" width="440" height="700" /></p>
<p>RIP <a title="Thierry Jonquet" href="http://www.artandpopularculture.com/Thierry_Jonquet">Thierry Jonquet</a>, sometime collaborator of <a title="Jacques Tardi" href="http://www.artandpopularculture.com/Jacques_Tardi">Jacques Tardi</a>, author of the <a title="Nouveau polar français" href="http://www.artandpopularculture.com/Nouveau_polar_fran%C3%A7ais">nouveau polar français</a>, author of <em><a title="Mygale" href="http://www.artandpopularculture.com/Mygale">Mygale</a></em> (1984), currently being filmed by  <a title="Pedro Almodóvar" href="http://www.artandpopularculture.com/Pedro_Almod%C3%B3var">Pedro Almodóvar</a> as <em><a title="Tarantula" href="http://www.artandpopularculture.com/Tarantula">Tarantula</a></em>.</p>
<p><a title="Thierry Jonquet" href="http://www.artandpopularculture.com/Thierry_Jonquet">Thierry Jonquet</a>’s <em><a title="Tarantula" href="http://www.artandpopularculture.com/Tarantula">Tarantula</a></em> was blurbed as “An unholy collaboration between <a title="Sade" href="http://www.artandpopularculture.com/Sade">Sade</a> and <a title="Sartre" href="http://www.artandpopularculture.com/Sartre">Sartre</a>, with occasional comic interventions by that honorary Frenchman <a title="Jerry Lee Lewis" href="http://www.artandpopularculture.com/Jerry_Lee_Lewis">Jerry Lee Lewis</a>”</p>
<p>Tip of the hat to De Papieren Man</p>
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		<title>Floris and Blancheflour (is) (not) the missing link &#8230;</title>
		<link>http://jahsonic.wordpress.com/2009/08/09/floris-and-blancheflour-is-not-the-missing-link/</link>
		<comments>http://jahsonic.wordpress.com/2009/08/09/floris-and-blancheflour-is-not-the-missing-link/#comments</comments>
		<pubDate>Sun, 09 Aug 2009 00:30:31 +0000</pubDate>
		<dc:creator>jahsonic</dc:creator>
				<category><![CDATA[European culture]]></category>
		<category><![CDATA[French culture]]></category>
		<category><![CDATA[fantastique]]></category>
		<category><![CDATA[literature]]></category>
		<category><![CDATA[theory]]></category>
		<category><![CDATA[underrated]]></category>

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Floris and Blancheflour (is) (not) the missing link between European medieval literature and the Arabian Nights.
Many of the details, such as the Tower of Maidens (i.e. harem), eunuch guards, and the odalisques (white slavery) derive from material carried to the west via The Arabian Nights. The frame tale of The Nights (the king “re-marries” every [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=jahsonic.wordpress.com&blog=360009&post=3854&subd=jahsonic&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><div><a href="http://www.artandpopularculture.com/Perceval_le_gallois"><img src="http://14.media.tumblr.com/Y3KxdEiQuqwgl86iU17xpYIFo1_500.jpg" alt="" width="433" height="513" /></a></div>
<div>
<p><a title="Fabrice Luchini" href="http://www.artandpopularculture.com/Fabrice_Luchini"></a></p>
<p><a title="Floris and Blancheflour" href="http://www.artandpopularculture.com/Floris_and_Blancheflour">Floris and Blancheflour</a> (is) (not) the <a title="Missing link" href="http://www.artandpopularculture.com/Missing_link">missing link</a> between <a title="European medieval literature" href="http://www.artandpopularculture.com/European_medieval_literature">European medieval literature</a> and the <em><a title="Arabian Nights" href="http://www.artandpopularculture.com/Arabian_Nights">Arabian Nights</a></em>.</p>
<p>Many of the details, such as the Tower of Maidens (i.e. <a title="Harem" href="http://www.artandpopularculture.com/Harem">harem</a>), <a title="Eunuch" href="http://www.artandpopularculture.com/Eunuch">eunuch</a> guards, and the <a title="Odalisque" href="http://www.artandpopularculture.com/Odalisque">odalisques</a> (<a title="White slavery" href="http://www.artandpopularculture.com/White_slavery">white slavery</a>) derive from material carried to the west via <em><a title="The Arabian Nights" href="http://www.artandpopularculture.com/The_Arabian_Nights">The Arabian Nights</a></em>. The frame tale of <em><a title="The Nights" href="http://www.artandpopularculture.com/The_Nights">The Nights</a></em> (the king “re-marries” every night) is reflected in a <a title="Plot element" href="http://www.artandpopularculture.com/Plot_element">plot element</a> (“the king re-marries every year”) in <a title="Floris and Blancheflour" href="http://www.artandpopularculture.com/Floris_and_Blancheflour">Floris and Blancheflour</a>.</p>
<p>The tale could be originally French, or possibly of Oriental origins, or a synthesis of motifs. Kathleen Coyne Kelly, in her essay “<a title="Bartering of Blauncheflur" href="http://www.artandpopularculture.com/Bartering_of_Blauncheflur">Bartering of Blauncheflur</a>,” summarized the discussion of the sources as follows: “Scholars disagree as to whether <a title="Floris and Blauncheflur" href="http://www.artandpopularculture.com/Floris_and_Blauncheflur">Floris and Blauncheflur</a> is an <a title="Oriental tale" href="http://www.artandpopularculture.com/Oriental_tale">oriental tale</a> that was adapted for Western audiences, or a tale whose <a title="European author" href="http://www.artandpopularculture.com/European_author">European author</a> simply supplied it with an <a title="Oriental setting" href="http://www.artandpopularculture.com/Oriental_setting">oriental setting</a>.”</p>
<p>Compared to other <a title="Medieval romance" href="http://www.artandpopularculture.com/Medieval_romance">medieval romances</a>, the story has not frequently been brought to the screen. In 1978 <a title="Fabrice Luchini" href="http://www.artandpopularculture.com/Fabrice_Luchini">Fabrice Luchini</a> and <a title="Arielle Dombasle" href="http://www.artandpopularculture.com/Arielle_Dombasle">Arielle Dombasle</a> (photo) portrayed Floris and <a title="Blanchefleur" href="http://www.artandpopularculture.com/Blanchefleur">Blancheflour</a> in  <em><a title="Perceval le gallois" href="http://www.artandpopularculture.com/Perceval_le_gallois">Perceval le gallois</a></em> by <a title="Éric Rohmer" href="http://www.artandpopularculture.com/%C3%89ric_Rohmer">Éric Rohmer</a>.</div>
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		<title>Icon of Erotic Art #54</title>
		<link>http://jahsonic.wordpress.com/2009/08/07/icon-of-erotic-art-54/</link>
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		<pubDate>Fri, 07 Aug 2009 13:12:55 +0000</pubDate>
		<dc:creator>jahsonic</dc:creator>
				<category><![CDATA[1001 things to do before you die]]></category>
		<category><![CDATA[Belgium]]></category>
		<category><![CDATA[Icons of erotic art]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[eroticism]]></category>
		<category><![CDATA[religion]]></category>

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		<description><![CDATA[


The Temptation of Saint Anthony (1878) is a watercolor painting  by Belgian artist Félicien Rops. Freud commented on this work in his essay “Delusion and Dream in Jensen’s Gradiva”:
“The engraver has chosen the model case of withdrawal into the life of saints and penitents. An ascetic monk takes refuge &#8211; probably to escape worldly [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=jahsonic.wordpress.com&blog=360009&post=3847&subd=jahsonic&ref=&feed=1" />]]></description>
			<content:encoded><![CDATA[<div class='snap_preview'><br /><div><a href="http://commons.wikimedia.org/wiki/File:F%C3%A9licien_Rops_-_La_tentation_de_Saint_Antoine.jpg"></a></div>
<p style="text-align:center;"><a href="http://www.artandpopularculture.com/The_Temptation_of_Saint_Anthony_%281878%29_F%C3%A9licien_Rops"><img src="http://3.media.tumblr.com/enBw6csfAqk1aeu9TSSstiBCo1_500.jpg" alt="" width="437" height="600" /></a></p>
<div>
<p><a title="The Temptation of Saint Anthony (1878) Félicien Rops" href="http://www.artandpopularculture.com/The_Temptation_of_Saint_Anthony_%281878%29_F%C3%A9licien_Rops"><em>The Temptation of Saint Anthony</em></a> (<a title="1878" href="http://www.artandpopularculture.com/1878">1878</a>) is a <a title="Watercolor painting" href="http://www.artandpopularculture.com/Watercolor_painting">watercolor painting </a> by Belgian artist <a title="Félicien Rops" href="http://www.artandpopularculture.com/F%C3%A9licien_Rops">Félicien Rops</a>. <a title="Freud" href="http://www.artandpopularculture.com/Freud">Freud</a> commented on this work in his essay “<a title="Delusion and Dream in Jensen's Gradiva" href="http://www.artandpopularculture.com/Delusion_and_Dream_in_Jensen%27s_Gradiva">Delusion and Dream in Jensen’s Gradiva</a>”:</p>
<blockquote><p>“The engraver has chosen the model case of withdrawal into the life of saints and penitents. An ascetic monk takes refuge &#8211; probably to escape worldly temptations &#8211; near the image of the crucified Saviour. This cross fades like a shadow and in its place the radiant image of a naked woman in full bloom, takes its place, also in the shape of a crucifixion. Other painters, whose psychological insight was not as penetrating, positioned their analogous representations of temptation, with sin insolent and triumphant, somewhere alongside the Saviour on the Cross. Only Rops made it take the place of Our Lord Himself on the Cross; he seemed to know that the repressed thought returns at the very moment of its repression…” —Translation <a title="James Strachey" href="http://www.artandpopularculture.com/James_Strachey">James Strachey</a></p></blockquote>
<p>Some snippets in original German:</p>
<blockquote><p>“Eine bekannte Radierung von Felicien Rops illustriert diese wenig beachtete und der Würdigung so sehr bedürftige Tatsache eindrucksvoller”</p></blockquote>
<blockquote><p>“Ein asketischer Mönch hat sich &#8211; gewiss vor den Versuchungen der Welt &#8211; zum Bild des gekreuzigten Erlösers geflüchtet. Da sinkt dieses Kreuz schattenhaft nieder und strahlend erhebt sich an seiner Stelle, zu seinem Ersatze, das Bild eines üppigen nackten Weibes in der gleichen Situation der Kreuzigung.”</p></blockquote>
<p>Some of the stories of the <a title="Demon" href="http://www.artandpopularculture.com/Demon">demons</a> and <a title="Temptation" href="http://www.artandpopularculture.com/Temptation">temptations</a> that Anthony is reported to have faced   are <a title="Perpetuated" href="http://www.artandpopularculture.com/Perpetuated">perpetuated</a> now mostly in <a title="Painting" href="http://www.artandpopularculture.com/Painting">paintings</a>, where they give an <a title="Pretext" href="http://www.artandpopularculture.com/Pretext">opportunity and pretext</a> for artists to depict their more <a title="Lurid" href="http://www.artandpopularculture.com/Lurid">lurid</a> or <a title="Bizarre" href="http://www.artandpopularculture.com/Bizarre">bizarre</a> <a title="Fantasies" href="http://www.artandpopularculture.com/Fantasies">fantasies</a>. Emphasis on these stories, however, did not really begin until the <a title="Middle Ages" href="http://www.artandpopularculture.com/Middle_Ages">Middle Ages</a>, when the <a title="Psychology" href="http://www.artandpopularculture.com/Psychology">psychology</a> of the individual became a greater interest.</p>
<p>Many visual artists have depicted these incidents from the life of <a title="Saint Anthony" href="http://www.artandpopularculture.com/Saint_Anthony">Saint Anthony</a>; in prose, the tale was <a title="The Temptation of Saint Anthony" href="http://www.artandpopularculture.com/The_Temptation_of_Saint_Anthony">retold and embellished</a> by <a title="Gustave Flaubert" href="http://www.artandpopularculture.com/Gustave_Flaubert">Gustave Flaubert</a>.</p>
<p>The subject of <a title="Saint Anthony" href="http://www.artandpopularculture.com/Saint_Anthony">Saint Anthony</a> was first presented in the 10th century at Italian fresco paintings. In the <a title="European Middle Ages" href="http://www.artandpopularculture.com/European_Middle_Ages">European Middle Ages</a> one can watch an accumulation of the theme in book illumination and later in German woodcuts.</p>
<p>About 1500 originated the famous paintings of <a title="Martin Schöngauer" href="http://www.artandpopularculture.com/Martin_Sch%C3%B6ngauer">Martin Schöngauer</a> (ca. 1490), <a title="Hieronymus Bosch" href="http://www.artandpopularculture.com/Hieronymus_Bosch">Hieronymus Bosch</a> (ca. 1505) and <a title="Matthias Grünewald" href="http://www.artandpopularculture.com/Matthias_Gr%C3%BCnewald">Matthias Grünewald</a> (ca. 1510).</p>
<p>In modern and contemporary art (<a title="Félicien Rops" href="http://www.artandpopularculture.com/F%C3%A9licien_Rops">Félicien Rops</a> and <a title="Salvador Dalí" href="http://www.artandpopularculture.com/Salvador_Dal%C3%AD">Salvador Dalí</a>) the Temptations of Saint Anthony are  stable elements in <a title="European art" href="http://www.artandpopularculture.com/European_art">European art</a>.</div>
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